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Across the Times

Material Silver of fineness .999
Year 2024
Mintage 3000
Artists Graphic Design: Arvīds Priedīte Plaster Model: Ligita Franckeviča
This coin is no longer available for sale. The coin remains only in collectors’ possession and in our archive as a record of its history.

Product Description

The Ethnographic Open-air Museum of Latvia ranks among Europe's oldest and largest museums of its kind, and it houses Latvia's oldest wooden architectural treasures. Since its inception in 1924, the museum has upheld its mission to preserve historical heritage for future generations throughout the ages. This heritage encompasses evidence detailing the architectural features and domestic items, shedding light on construction techniques and the traditional layout of homesteads belonging to peasants and fishermen, spanning a timeline from the 17th century to the mid-20th century.

The museum stands as a repository showcasing the homesteads of Latvian peasants and fishermen representing Kurzeme, Latgale, Vidzeme, Zemgale and Sēlija. It also accommodates craftsmen's houses-workshops, forges, potters' and tar kilns, windmills, churches of various denominations, the meeting house of the brethren congregation or Herrnhuters, the pub, the threshing barn, etc. Seasonal and other traditional Lavian festivities are celebrated at the museum, offering an opportunity to delve into their meaning and purpose.

The artist has depicted Latvian values on the coin – virtue of work and love for work, which have remained resilient throughout the passage of time. The museum exceeds the confines of a mere home, and the ancient tools hold significance beyond mere objects. Each item carries the trace of human touch, a story about the time when this person lived, the work that sustained his own existence and that of his kin and nation. The museum hosts craft days and craft fairs, not only promoting the art of ancient crafts but also facilitating the passing down of these skills.

Technical Description

Denomination: 5.00 euro
Weight: 22 g
Metal: Silver of fineness .999
Diameter: 35 mm
Quality: Proof
Maximum Mintage: 3000
Year: 2024
Edge: The inscriptions "LATVIJAS BANKA" and "LATVIJAS REPUBLIKA", separated by rhombic dots
Mint: UAB Lietuvos monetu kalykla (Lithuania)
Graphic Design: Arvīds Priedīte
Plaster Model: Ligita Franckeviča
Obverse

Obverse

(front)

In the centre – a woman mixing dough in a bread trough with a mixing paddle. Above the image – a spinning wheel, with the inscription "LATVIJAS ETNOGRĀFISKAIS BRĪVDABAS MUZEJS" (The Ethnographic Open-air Museum of Latvia) at the top, arranged in a semicircle. On both sides of the image – historic tools and household objects: on the left (from the top): a fish basket, a spoon board with spoons, a flour scoop, on the right (from left to right): a distaff, a bread-shovel and a washboard.

Reverse

Reverse

(back)

In the centre – a man carving a trough with a pickaxe. Above the image – a horse-collar, to the left – a hand drill, to the right – a hand scythe. On the left – a broad-blade axe and a spoke-shave, on the right – a hand rake and a grain shovel. The inscription "2024" is arranged in a semicircle on the left side of the reverse, whereas the inscription "5 EURO" is semi-circled on the right side.

Video

Artists

Graphic Artist

Arvīds Priedīte

In the diverse community of Latvian textile artists, known for its vibrant and distinctive personalities, Arvīds Priedīte has always stood out with his innovative compositional solutions, particularly through the spaciousness of his works woven using the tapestry technique, incorporating and highlighting the significance of spaciousness in figurative expression. Spaciousness is often successfully paired with hyper-realistic depictions of individual figures or elements within the composition,...
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Arvīds Priedīte
Plaster Model

Ligita Franckeviča

Born on 30 July 1947 in Tukums. Ligita Franckeviča has an innate talent for sculpting. If her artistic flair and skill reigned supreme, the world would be transformed into a realm of silky, rounded shapes, each flowing seamlessly into the next. It would be a world without dull planes, sharp corners, or jarring edges, where every thing is self-sufficient and every being – dignified and enveloped in gentle silence. A world swaying in the soft, velvety dance of light and shadow, at times...
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Ligita Franckeviča